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A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgmentWhen buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment-and its concern for ugliness-in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles's opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.Hyde explores how accidental and willful conditions of ugliness-including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry-have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.
Architecture --- Aesthetics. --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics
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The etymology of the word "author," which derives from the root of the Latin verb "augere" ("to increase"), refers to an act of creation or augmentation. As such, the word is essentially a call for expanding the pre-existing. Roland Barthes declared in his famous essay that the author is dead as "a modern figure, a product of our society." Fifty years later, the post-anthropocentric perspective of contemporary thinking and designing in the 21st century seems to emphasise the total overcoming of the author's person. But is that really the case? This instalment of "Vesper" explores the implications for authorship in our time.
Architecture --- Aesthetics. --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics
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architectuur --- Aesthetics --- Architecture --- esthetica --- architecture [discipline] --- aesthetics --- Aesthetics. --- Architectural aesthetics --- Aesthetics, Architectural --- Architecture - Aesthetics. --- Esthétique --- Philosophie
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"The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole."--Jacket.
Architecture, Modern --- Architecture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Modern architecture --- Philosophy. --- Aesthetics.
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Architecture --- Cinematography. --- Aesthetics. --- Photography --- Chronophotography --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Animated pictures --- Motion pictures
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Das Labyrinthische ist eine architektonische Qualität, die nur selten ins Blickfeld von Theorie und Geschichte der Architektur gelangt. Erstaunlich, denn es existiert eine ganze Welt des Verborgenen, Rätselhaften und Schwierigen, die sich dem begrifflichen Zugang entzieht, uns aber ebenso nachhaltig prägt und uns ebenso wichtig ist wie jene, die wir durchschauen. In seiner erstmals 1987 erschienenen, seit langem vergriffenen und nun erneut zugänglichen Arbeit zieht Jan Pieper immer wieder Zeugnisse des Labyrinthischen aus fremden Kulturen heran, in denen die anthropologischen Grundlagen des Labyrinthischen oft schärfere Konturen gewinnen als in den vertrauten Phänomenen der eigenen Kultur. Seine historischen, theoretischen und kulturvergleichenden Untersuchungen nehmen von der chiffrenhaften Labyrinthfigur ihren Ausgang. Im Zentrum aber steht die Vielfalt der Labyrinthideen, die in architektonischen Andeutungen, Gesten und Assoziationen des bedeutsamen Bauens stets mitschwingen. Jan Piepers im Wortsinne wundervolles Werk erschließt so die Ideen und die Ausdrucksformen der bewußten Verrätselung als subtilster Form architektonischer Ordnung.
Labyrinths in art. --- Architecture --- Symbolism in architecture. --- Aesthetics. --- Architectural symbolism --- Signs and symbols in architecture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics
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"Why do some buildings make us feel happy or excited or tranquil? What is it in architecture that elicits pleasure? Grant Hildebrand asks these general questions in Origins of Architectural Pleasure, as well as more specific ones. To answer them, the author examines buildings and groups of buildingsfrom five continents and five millennia - that have retained their remarkable appeal or excitement. The book explores the reasons for such responses to the physical environment and relates some of our pleasure in architecture to elements in nature essential to survival, from the self-evident need for shelter to the aesthetic satisfaction of discovering order in complexly organized surroundings - or complexity in apparent order."--Jacket.
Architecture --- Art, Architecture & Applied Arts --- Environmental psychology --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Aesthetics. --- Psychological aspects. --- Psychological aspects --- Human factors --- Esthétique --- Aspect psychologique
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Was ist ein Schwellenraum? Auftakt, Dazwischen, Schranke? Innen oder außen? Der Schwellenraum ist alles zusammen, meist sogar gleichzeitig. Er lebt von der räumlichen Ambivalenz zwischen Öffnung und Schließung und erzeugt zugleich die Erwartung auf das Kommende. Till Boettger hat sich in Lehr- und Forschungsprojekten intensiv mit der architektonischen Inszenierung des Ankommens und Empfangens befasst. Sein Buch versammelt exemplarisch phänomenologische Analysen räumlicher Übergänge in historischen und modernen Kulturbauten renommierter Architekten und entwickelt daraus eine Methodik, mit der Schwellenräume in allen Bauaufgaben optimiert werden können: Neben einer Spannung erzeugenden Ausgewogenheit ist hier vor allem die zeitliche Abfolge des Erlebens bestimmend. Schwellenräume werden so in ihrer Funktion als räumliche Vermittler anschaulich: sie empfangen und entlassen ...
Structural design. --- Architectural design. --- Architecture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Design --- Structural design --- Engineering design --- Architectural design --- Strains and stresses --- Aesthetics.
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"Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century, addressing the relation between the aesthetic register of ugliness and aesthetic concepts such as brutalism, kitsch, the formless, ad hoc-ism, the monstrous, or the grotesque. The aim of this volume is not simply to document the history of a postmodern anti-aesthetic through case studies. Instead, it aims to shed light on an aesthetic problem that has been largely overlooked in the agenda of architectural theory, the question if and how ugliness can be of interest to architecture; or if and how architecture can make good use of ugliness"--
Architecture, Postmodern. --- Architecture --- Theory of architecture --- Aesthetics. --- Postmodernisme --- Esthétique architecturale --- Bofill, Ricardo --- Venturi, Robert, 1925-2018 --- Moore, Charles --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Postmodern architecture --- Architecture, Modern --- Postmodernism
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Architecture --- -72.01 --- 72.01 --- 1 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Aesthetics --- Architectuuresthetica --- Architectuur (esthetica) --- Architectuur (theorie) --- Architectuurtheorie --- Filosofie --- Design and construction --- Architectural aesthetics --- Aesthetics, Architectural
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